scraps / money
2 September 2023 12:09from Pitchfork
When Pink Floyd first premiered what would become the most successful rock album of all time, it was quite literally too big for the system to handle. A half-hour into the band’s concert in Brighton on January 20, 1972—the live debut of what was then called “Eclipse: A Piece for Assorted Lunatics”—the band started to play “Money,” which required synchronizing their performance to a pre-recorded sound collage of jingling coins and ka-ching-ing cash registers. But coupled with the band’s power-sucking sound system and lighting rig, the show slowly ground to a halt. After a brief break, bassist Roger Waters came to the mic to explain: “Due to severe mechanical and electronic horror, we can’t do any more of that bit, so we’ll do something else.”
Can you even imagine being the first audience in the world to listen to the beginning of Money and then it stops. Nightmare.
I'm not even the worlds biggest Pink Floyd fan - but Money is a catchy bop, imagine starting and then losing it - but the other month, my internet friend came down for a holiday and we put it on after a long, exhausting day at the beach, listening to the whole of Dark Side of the Moon as the grey big skies stretched on forever, and I got it. I totally got it.
I prefer my prog to be pastoral, whereas Pink Floyd is...contemporary? metallic? It feels like its in a different vibrational sphere. It's very angry - it has that whimsical Englishness at times, but I guess they go somewhere different with it - true Englishness, perhaps, twee and genteel and horrifying and hanging on in quiet desperation all in one. But I prefer to stay asleep. My favourite Floyd is Relics, a compilation album of their early stuff which hits the spot perfectly, all their dreamlike psychedelia with none of the silly stuff.
(Bonus mode: Discoballs - the Pink Floyd Disco album - has an extremely weird 4/4 Money-but-it-disco cover, which is great, as is disco Have A Cigar and the peculiar disco Interstellar Overdrive)