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Some threads on meditation and ritual cleanliness before I forget:

Phil Hine - meditation / Phil Hine - cleanliness (extremely appreciated!) / Selkigirl - meditation / and also, a reminder to me to track down Véronique Altglas’ /From Yoga to Kabbalah: Religious Exoticism and the Logics of Bricolage' (Oxford University Press, 2014) and Angela Carter's Lovecraft and Landscape

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*musing*

I suppose there's a conceptual link, perhaps, between the common of the commonplace book, and the commons of socialist folklore and English tradition.

The Commons are a part of the landscape which nobody owns, exactly, but local people have 'Commoners Rights' to do certain activities there - gather firewood, feed their pigs, and that's where the term 'Commoner' as in 'ordinary, rather poor fellow' comes from. The Enclosure of the Commons is a key moment for capitalism being arse for everybody, as these commonly-owned and managed resources were claimed as the property of individual aristocrats who then charged money for ordinary, rather poor fellows to do what they'd been doing before for nothing.

“The whole earth shall be a common treasury for all, for the earth is the Lords”

Is the rabble-rousing words of semi-legendary firebrand Winstanley, whose community took back a piece of once-common land and tried to live there and grow crops in defiance of property laws (they were removed). Winstanlely wrote eloquent, heroic, beautiful religious tracts - expressing a kind of 17th century proto-socialism in the words of the Bible.

The connection I may be thinking of:

The common, land owned by none, held by all, is home to commonwealth of folklore, the commonwealth of imagination. I regard it as sacred. Mankind’s dream are a wilderness where monsters are free to roam, time itself may be dissolved and all our collected folklore is the surest guide to its ever shifting landscape - C.L. Nolan - Hookland

Ah but alas, let's see what the true derivation of the word is:

Commonplace" is a translation of the Latin term locus communis (from Greek tópos koinós, see literary topos) which means "a general or common topic", such as a statement of proverbial wisdom.

Well, it is our word now; we will make it mean whatever we like.

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I've been very offline in another period of 'more thinking than speaking', and one thing I've got done is the first iteration of the Commonplace Book

The Commonplace Book is a Fen-specific practice - it refers to a book where you compile knowledge from other sources:

Such books are similar to scrapbooks filled with items of many kinds: sententiae (often with the compiler's responses), notes, proverbs, adages, aphorisms, maxims, quotes, letters, poems, tables of weights and measures, prayers, legal formulas, and recipes. Entries are most often organized under subject headings and differ functionally from journals or diaries, which are chronological and introspective

and, in truth, this has been a feature of Book-of-Shadows and Grimoires and the like, implicitly, for a long time. I make it a very explicit part of what I do, and keep my Commonplace separate from other magical notebooks. The Landweird is, among other things, imagined as a kind of palimpsest memory hidden in old lore, as in the memory of the sleepers under the hill, as in the clutter of a junkshop, as in a lost manuscript reused for new words, untranslateable runes or words never written. And so, far more than in other Paganisms - where making notes from other sources is useful - in Fencraft, the Commonplace Book takes on a kind of sacred status in its own right. It is a kind of living Landweird, and its made from your seeking.

And on a practical level, it solves some problems. The first is the struggle of being your own priest and Entire Religious Structure; the second, the (comparative!) lack of Pagan art and writing; and the third, disability. Compiling or reading the Commonplace Book is a low-energy ritual routine, for days when sitting by the window and reading the same paragraph over and over is your limit; I pilfer through mine for ritual in a conscious way (say, a prayer or a summoning chant), but I spend enough time with mine that its words will reoccur unbidden when I am walking or in need of guidance.

It's a DIY Bible, but that is no bad thing: I accept the criticism of a local witch that far too many pagans do worship instead of magic nowadays, and yet copying Christianity has been a feature of my magical life for many years because I am tired. To clear my room for ritual and make time is the work of a week or two, and that's before I contemplate the effort of a bath. I like to sit with a book and call it practice - and for it not to be an afterthought, but to be deeply understood, and for it not to be a lesser shadow but the whole thing. It's bardic - i have living words inside me. It's Landweird, held between my hands. And there's a magic to compiling: these are ordinary pop songs and books you can find in any second hand store, they are only made-holy because they have been brought into combination with one another - the act of ritual which is a bringing together, a sacred union, an act of revealing. I have often tinkered with a circle-opening Fenrite which uses the metaphor of an archeologist's brush and water, gently washing away the dirt. A re-recogntion, or a pulling out of latent threads - eerie and unintended, but there in new nets.

The search for the Landweird is different for everybody, and so, everybody's Commonplace Book will wind up different. Although I consider these things sacred secrets, I have a personal committment to doing everything in public as much as possible, in tribute to the elders I learned my art from (i.e. people with geocities sites in the 1990s before the word 'blog' was spaketh). I don't feel these things are more sacred for being hidden - in this case, their magic is in the act of rediscovery.

For some maddening reason, the homepage won't update my link to the new section. But you, dear reader, can have a peep. My CSS has improved and so, it should be mobile-friendly, though I've yet to test it to make sure. I may be an indifferent sorcerer, but by the time this is done my coding will be without parallel. I am, as ever, exhausted by the effort of undone work. But this, at least, is complete for the year.

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I'm having a great time today with this vintage witchcraft interview with the Farrars on Irish television.
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Big happy announcement: Version 1 of my Bumper Pagan Reading List is now Done.

Do you like folklore? Want to learn about the history of magic? Enjoy 1970s pastoral weird counterculture or creepy children's television?

Are you absolutely horrified by the immensity of the ocean and want to prod that feeling with a stick until it starts creeping up on you as you walk down the street unexpectedly, the knowledge that the sea is just there, fathomlessly deep and impossibly cold, and more mysterious to us than the moon?

You'll fit right in! ~200 recommendations for music, movies, and books, of interest to pagans of all kinds (and people who just like some make-believe)

(and on a personal note, what a relief - what a relief - to get this weight of work out into the world, just a basic and incomplete thing but enough to say "this is what i have been doing, this is what i can gift to the world, i am not ready to Run My Own Religion in any substantial sense but you can do it for yourself with this, everything I've looked at to form what I do; and my responsibility for it is now discharged". I need to set up a compassionate update schedule for myself; because the website version is, of course, already out of date, but I need to make time for my own self as well - to be reading and reflecting without the mass scrutiny of the internet and the implicit judgement of strangers eyes and my desire to perform in front of them; to just be alone with the gods, once in a while; or alone with my books, at least. Also yes, the physical bookshelf on which I store all these things are a beauty to behold; and I daydream about having a pretty living room and an open door, and people just dropping by to read and borrow them all. A webpage is the next best thing.)

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Quick post to make a note of some links:
  • https://www.inkcapjournal.co.uk/our-hikes-were-a-political-statement-the-walking-group-reclaiming-2-000-years-of-rural-history/
  • https://www.inkcapjournal.co.uk/corinne-fowler/
  • https://www.peepaltreepress.com/books/green-unpleasant-land
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I've also started a new blog - the Astercote Herald.



basically, because I've been reflecting on the immense quantity of primary/secondary reading I've been doing for pagan stuff, and thinking that possibly it's wrong for a pagan audience, or at least, what a pagan audience wants is more of the directly useful stuff (we're a practical bunch) and less philosophical/theology/cultural deep dives. idk. So I'm now thinking, maybe film people or hauntology people or even looking back at getting into academia myself, is the way forward with it.


& when I do that, I don't know if I want my pagan identity attached to it. Anyway, idk yet, but there's a link to the blog if you always looked forward to my nice popculture reviews - it'll continue to inform my pagan writing, but there will be links out, but none in, if that makes sense.

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I just found out that there are 500 episodes of the BBC's flagship "intellectuals talking about ideas" show In Our Time on youtube, so I've collected together some playlists for Pagans. Feel free to share them around with anyone who will appreciate them.

Each podcast is ~45 minutes long, and features ideas from a selection of academics in the field.

(please note - I've chosen to exclude Greek/Roman lore, as that's not relevant to me, but there are many available if you wish to paw through the channel yourself)

Pagan Reading (link)
Conversations about Beowulf, the Arthur stories, fairytales, Robin Hood, the eddas, etc

Mythic History (link)
History of Northern Europe, including Neanderthals, Celts, Roman Britain, Vikings, Druids etc. If it's been misrepresented in a New Age book as the Original Secrets Of The Ancient Pagans, it's on this playlist.

British History (link)
Starting from Anglo Saxons onwards, and with a focus on 1) Anglo Saxon kings, 2) the history of people's revolt, disobedience, and ungovernability 3) land rights, and 4) England's under-reported dreadful behaviour towards her neighbours in the UK and the rest of the world, to keep the listener humble and discourage nationalist bollocks. Basically, themes which are specifically of interest to Fencraft.

British Mysticism (link)
Idea podcasts about Englishness, the pastoral, the concept of Heritage, Nature, and cultural imperialism; plus book podcasts about Piers Plowman, William Morris, William Blake, and other more contemporary pagan-ish writers.

Witches and Magic (link)
A grab bag of topics, including the devil, Renaissance magic, the Delphic Oracles, the Egyptian Book of the Dead, Salem, Alchemy, etc.

Pagan Ideas (link)
This playlist focuses on concepts of religion. Think of it as the Theology Class playlist. There's
  1. a lot of choices about the soul, good and evil, the fall, in the hope that awareness of these non-Pagan concepts will help us spot how they continue to influence our thinking;
  2. some generic stuff, on Prayer and the intersection of Science and Religion;
  3. a lot of Fencraft specific stuff, such as Nationhood, Monarchy, Memory, History - just to get you thinking critically about these ideas;
  4. a bunch at the end about space and the sea
Hope this finds everybody well!
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Oh my god I am on top of the world, I was so lucky & someone sent me a copy of Chanctonbury Rings for my birthday, and it is so much more transcendent played on a proper record player through proper speakers - it's so wonderful, so much thicker and richer.

I suppose I'll do you all a proper write up for it soon - it's text from Julian Hopper's Old Weird Albion about going for a walk at a stone circle, set to pastoral uncanny music by the Belbury Poly - Ghost Box's inhouse band - and Sharon Krauss - but one thing I want to highlight is that its a rare Ghost Box release that can still be got as a record, which is lucky really because it's easily my favourite. The hauntological music thing can often be clever-clever in a way that forgets to be pleasurable as music, but this is not one of them. This is - astonishingly us, perfect for meditation or reflection, it's wonderful as text and wonderful as sound. This is magic engraved onto vinyl. & it makes clear the importance of a Reading List in fencraft, the idea that we have created nothing new but we are rediscovering it - Hopper's words are familiar because we have heard the same thing in the hills, and we form part of the same seam of culture which explores it.

& also one thing I highlight in my writeup for the website is the importance of Hopper's american accent - something, i confess with shame, i initially found a little offputting about the album's sound. But on reflection - this is an exceptionally perfect album - I think i like the political implications of a "foreign" voice creating such unabashed English landscape weird - I think it says something vital about who these stories belong to, and if the timbre of a voice is unexpected or unwanted, then maybe one should sit with that a little longer and reflect on what that means for England as a place, if you recognise so few voices as English ones.

(also whine time. The album cover came bent :/ The record itself came undamanged, but I can't work out how important it is to me that the cover is damaged. I don't want to cause problems for someone who sent me a present, but also, fuck amazon. I am definitely a person for who this Matters A Lot but idk, it's not like I'm every going to sell it, but also what's the point of being a record collecting human if you're not a bit anal about this for your own pleasure. The art is a big part of this label's appeal, but it's also supposed to be a bit 70s so perhaps the fact its crumpled is like, I can pretend I found it second hand in a box)
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www.youtube.com/watch

The early 70s was a moment when people had not quite yet got their head around childhood; children's media often has a haunted, psychedelic quality, both more whimsical and playful than post-modern cynicism, but also more violent, erotic and disturbing as well. And always, a sort of brownness at the edges of the day, the September-back-to-school of the soul.

If you are a certain age in England, you probably did Movement and Music classes as a small child: the teacher would put on a track, and you would dance and move to perform a tree losing its leaves, or a storm cloud. This, along with the vogue for country dancing, accounted for another trend of the era - pagan seepage into everyday life.

Spoken words over radiophonic noises, the poetry of the Seasons is astonishing - vivid and bizzare. October is a woman like a furled up umbrella with a zip-fastener for a mouth; in February "the gaunt elms shudder within the groin of grief; and old men discover their life is a dream they can't remember". Comforting and unsettling all at once, its images something like a spoken tarot deck.

I am reminded of it today because of the frost brings to mind its description of November: the day strung up like a fallow deer and bled, and the light is devoured, the mountains, tortured images of a tranquil star, stand sentinel and keep cruel dreams confined to the white loins of sleep.

~*~

Listening to the Seasons, you will - at once, I think - understand why I go back so often to this era for spiritual inspiration. These words are perfect for ritual or prayer, or put the album on and meditate to its images. You might want to introduce your children to it - but it says something, I think, about how childhood has changed (and how the 1970s childhood has this unique quality), that you will not think that is a good idea. And you know what? It's also unironically perfect for interpretive dance. I sometimes sway to it and swirl around my room, and its lovely to get lost in.
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I've found some really good resources on like, Morris, folk, English Country Dance and so forth - but I'm not sure whether, if, or how to incorporate them just yet.

A lot of what I'm pulling into Fencraft are responses to the land - Tolkien, Syd Barrett, Kenneth Grahame, David Rudkin, Richard Addams, and so forth. Not primary documents like, say, the Mabinogion itself - but people who are seeking the gods and the land and having some kind of ideosyncratic response to it. "pop culture animism".

One take on the Victorian folklorist revival of country practices:

This is one such a response, and perhaps one of the most influential in terms of Murray and folk horror. The idea that simple folk of the countryside have retained their ancient rituals. For sure, that idea was both inaccurate and underpinned by patronising imbalances of power, but that doesn't make it any less influential - or attractive. It's as valid a part of the landweird as any other writer.

(I cannot recommend Triumph of the Moon by Roland Hutton highly enough, on the dodgy history of these folklorists)

Another take:

This kind of trend distances people from spirituality. It's historicity for its own sake, the fetishisation of the old just because they are the old. It distances people from thinking this is a thing they can do in their jeans on the bus, focusing instead on a LARP of an imagined past; and although I like a bit of that, it can create distance as often as it creates immersion. Nothing worse than going to a pagan event where ecstatic dancing is on the menu, and you're in a community hall with six other people and there's no beer and it's dreadfully awkward.

And the imbalances of power (as Alan Moore puts it in a Hellbore issue, you can't be afraid of rural horror without - on some level - being afraid of rural people) persist whenever these ideas survive. We want people to come as they are, having an authentic response - rather than taking comfort in an imagined history.

I think a space built on fantasies of rural people is going to be inherently a little exclusionary to anyone who comes to a meet or a moot who lives in a grotty post-industrial village, and a barrier to them being able to speak their story of the land which is now and of equal power and importance to anything fanciful.

Besides - even though folk horror and traditional witchcraft was a "way in" for me, it's an increasingly small part of where I am now, and I worry its aesthetics are a distraction from keeping a faith alive and vital.

~*~

So I have a linklist, but have put this strand on pause for now, until I can think through the ethics and practicalities and, I guess, what I want to accomplish by any of it.

but what i have found out is if you look up sea shanties or folk songs on youtube, there will be some elderly bloke who doesn't own a ringlight who has filmed himself sat in his living room singing the song, and when you go to his channel you'll find out he's got 2000 videos and every one of them, is a different song, and he has learnt and filmed them all. It's not only useful, but beautiful too.
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A wintery Christmas-tide watch - Sir Gawain and the Green Knight (1990). Written by Dave Rudkin, well-known master of british TV christo-pagan pastoral weird, and using what to my ear is a lot of the original language, it has a deep ancient strangeness.

Cosy up warm with this one, and put a stew on the hob and some mead out to warm, and you will feel footsteps in your heart and the warmth of the fire.

Fencraft-specific spiritual notes below the cut

Read more... )
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Something to entertain your brain while you try not to look at any other kinds of news today:
Fencraft's sense of the sacred and numinous is formed by the great lostness of history beneath our feet; and additionally, the importance of walking - every day if possible. This is an important news story for us, because the concept of a lost path is what that walking is all about, the rediscovery of hidden ways both otherwordly and as metaphor - a great way back to unrecorded places.
One thing I worry about a lot is how adjacent what I do is to a kind of English nationalism, and my get out for that is looking at leftist socialist traditions as a model. One of the key emphases of that (as depicted in Robin of Sherwood) is the loss of land from a model of commonwealth ownership to a model of ownership by the aristocracy - with most land in the uk still owned by descedents of Norman lords in this period.

This offers an ethical political dimension for the faith to focus on, preventing the creation of a "gap" which might otherwise call people to fill it. The narrative is one of environmentalism, biodiversity, and even archeology - these interests in the land which transcend our time, but rarely have the money or power to fight for themselves - and linked to the lack of power and wealth that ordinary communities have over their area, with consequences for human health, stability, and their connection to where they live.
Very, very cool, and an archetypal example of Landweird. This history has been present (but unrecorded) for centuries under our feet; I'm writing up a meditation series atm which draws focus to the landscape, and sinking down through it, awaking our awareness of the buried and the lost. On Vanished Land and A Warning to the Curious are two key bits of the lore referring to buried Anglo Saxon mysteries specifically.
Finally, I've found that reading about places to go is a really reassuring way to pass lockdown in a stressful year. My husband and I were intending to go on a Weird Britain Roadtrip this summer. So reading lists of places we will go to soon is a real balm, something which keeps my imagination alive.

Your turn: any cool news stories you've found recently? Doesn't have to be Fencraft-specific, but a strict ban on anything stressful or relating to any kind of live news going on today.

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OK YEAH time to plug Handheld Press, and their anthologies Women's Weird 1 & 2; British Weird; and a book of stories by the fantastically named Eleanor Mordaunt. How very exciting.

https://www.handheldpress.co.uk/shop/fantasy-and-science-fiction/james-machin-ed-british-weird/
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Fantastic news: Me, getting to diversify the eerie Victoriana strand of my reading list, thanks to this new longread about female Victorian horror writers.

(it's unsurprising but still an irritant, that my sources are dominated by comfortable white men)

Terrible news: it's expensive and challenging and in some cases, you're looking for a single 1930s reprint, to access texts by the male authors in this field who aren't Lovecraft or Dickens. James, Blackwood, more Machen and Dunsanay have been on my christmas list for years now, and I really don't want to make Lovecraft the touchpoint for how I talk about this, because you know Lovecraft, but...

...and I imagine the little-known women of this genre are even harder to access in, say, a 25p second-hand paperback surfacing in the junk shop of an isolated rural village.

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Article: Disconnection Reading List

First of a series of posts for this weekend about disconnection/the web - this one's focus is on sacred texts. They ought to be read one at a time, and reflected on; there's also a collection of quotes for study and contemplation, and also to give you a feel for what each of the texts is like.

The concept of the Reading List is, essentially, a stand in for the Bible - and in particular, it's inspired by my Jehovah's Witness in laws. They practice Bible Study - the organisation sends out magazines for members, who then get together once a week to go through an article and discuss it together. I don't like organised religions, and I don't like the ritualistic-consensus I overhear murmured from the living room at these times - somewhere between a get together over tea and cake, and a collective enforcement of groupthink, where friends are tasked to police one another's devoutness.

Nonetheless, this idea of meeting a couple of like-minded friends for a religious book group has really stuck with me - as an activity both social and spiritual, a spiritual practice in its own right - not just a medium through which spirituality is achieved.

I mention this, I suppose, to communicate my intentions for this post - which is not that you skim read it and give me a like, but make time to engage with each of the texts in turn. The internet trains us to engage in certain ways, but ultimately it's just a set of tools for delivering texts to one another; I'm not sure what the etiquette is for dictating how someone ought to engage with your content, or if such etiquette has ever been developed. (And I'm a hag for attention, so like, also skim read it if that's what your level of interest is) 

But what I want to communicate is my intention for how posts in this series are there for: part booklist for students, part Bible.

Also, it's immensely satisyfying to get this post into the wild at long last. I think I read The Machine Stops like, three years ago at this stage? Which should give you a sense of the Fencraft gestation period/my project procrastination pattern. If you only read one text from the article, make it that one.
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Review: Rewild Yourself

When you dash off a couple of lines, just as a record that you completed some reading; and in the course of writing, hit eight paragraphs and discover you really, truly, hated this book.


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"‘I’ve always longed to see a puffin.’ How many times have I heard that plaintive remark? It’s generally expressed in the sort of tone you’d expect if the person had always longed to see an angel – as if an expedition to see a puffin would require months of planning, specialist equipment of the most colossally expensive kind, along with the luck of the man who broke the bank at Monte Carlo. The fact of the matter is that all you need is a train ticket, or the means to make a car journey. We are the tiniest bit reluctant to make a journey for the sake of the wild world."

Like a train ticket or a car journey and the energy for a weekend away are anything but wealth beyond the dreams of avarice, and anyway mate, I grew up in a puffin area, and I've never seen one despite multiple fiver-for-a-boatride-round-the-rocks attempts which were in walking distance of my home.

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Haptalaon

Welcome!

Greetings, friend. Sit by the fire, and we will share hot drinks and tales of long-forgotten lore.

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